Friend of this site George Wong passed away in June of 2011. George, who will be missed by many, was known for sending out sexy pics as holiday greetings. This was his offering from last year’s Independence Day. His pics were the inspiration for the sexy holidays featured on this site, and we have featured many of his little presents. For George’s obituary, click here. For some of our favorite (and most popular with readers!) of his sexy holiday pics, click here, here, here and especially here. Thanks, George!
Ride like a sleeping bag! The Koalas were a Gay Motorcycle Buddy Club from the 1960s. The Koalas would hop on behind the gay club bikers and independents. Always on the back, hugging the biker like a koala hugs a eucalyptus tree. And so the name! Peter Fiske is kneeling in the front row, on the right. More on Peter here and here. Photo by Henri Leleu. Koalas Motorcycle Buddy Club, 1967. Via Ron Williams.
Milling around before the parade, a collection of characters…bikers, new Leather, old Leather, handballers, cock-suckers and boot-lickers, old and young hippies, Sadists, masochists, Dads, boys, dogs, Leather families, Masters and slaves, cigar men, watersport lovers, Faeries, ponies, and perverts of many other stripes…
Michel Foucault described the emergence of “peripheral sexualities” from the end of the 18th century: “An entire sub-race was born, different…from the libertines of the past…They were children wise beyond their years, precocious little girls, ambiguous schoolboys, dubious servants and educators, cruel or maniacal husbands, solitary collectors, ramblers with bizarre impulses…This was the numberless family of perverts who were on friendly terms with delinquents and akin to madmen.” – from M. Foucault – The History of Sexuality
Gay marriage passes in NYC. On the same night, the Eagle NYC is raided. Some insiders think this is the beginning of the end for the bar. Will this be the latest Leather institution lost to the forces of gentrification? Jeremiah from Vanishing New York seem to think so. Unicorn Booty reports from Gotham. For the death throes of the SF Eagle, click here, here, and here. For the graffiti that sprouted after the doors shut, here.
Friend of this site Jorge Vieto is featured in the short film Ritual, directed by Jorg Fockele. He hangs suspended by hooks, his body swinging free in a ritual of body/spirit integration. Vieto is a well-respected young Leatherman, and a Fraternal member of The 15 Association. He uses extreme physical rituals in part to process the emotions evoked by a positive diagnosis. Vieto spoke with Scott Brogan of the Bay Area Reporter about the psychology of the scene here.
Filmed in the Dungeon at Mr.S, Ritual will screen in the afternoon at 1:15 pm at the Castro Theater in San Francisco, Friday June 24th, as a part of the film compilation entitled STILL AROUND from The HIV Story Project. Brought to you by Frameline and the San Francisco International LGBT Film Festival.
He got onto his horse and he rode into the city. Hat, boots, bandana, duster, even spurs: this dude’s got it all. No event. He’s just riding through town. A sight seen in Willits, California. Hippies, cowboys, farmers, bikers in a Far West mix. In Mendocino County, a town with 5 stoplights qualifies as a city. Seriously. This is NorCal. Not LA. You know what they say…save a horse. Ride a cowboy!
But does it? Well-known Leatherman and friend of this site Peter Fiske has made an “It Gets Better” video and posted it on YouTube. We are, of course, re-posting. Kudos, Peter! It is fantastic. Of course. Messages of future promise are great, and can be just the thing to turn despair into hope. But. But. But. The “It Gets Better” video pep talks, started by columnist Dan Savage last year in an effort to curb high rates of suicide among queer youth, have really taken off. Cool. More on them here. Great campaign, but…it is not enough. Not nearly.
By all means, keep these positive messages coming. But. But. But. There are a few problems here. First off, it does not always get better – and we know that. If it always got better, dead friend of this site and Frameline co-founder Mark Finch would not have jumped off the Golden Gate Bridge. A popular, successful adult gay man kills himself. Or: youthful co-conspirator WRG, handsome, smart, set to inherit two fortunes, dead in a hotel room in Rio with a spike in his arm, the body stripped of valuables. They had to identify him by dental records. Just two examples. It did not get better for either of them, and they were pretty well set to overcome the past.
But. But. But. Another problem: The most vulnerable queer kids may be those least likely to be able to respond to these messages. Consider two scenarios:
One: You are 17, a junior in high school, with loving, educated PFLAG parents, a nice group of theatre friends, early acceptance to UC, and a problem with the school bully who taunts you with calls of “Faggot!” and elbows you in the hallways to the amusement of his toadies. It makes your stomach churn.
Two: You are 17, living on the periphery of San Francisco’s Castro district. You left Idaho and your violent Christian Identity family at 13 when your mother caught you with another boy. She broke a bottle over your head as you fled the house. See the scar? Arriving in SF, you met guys who turned you on to meth and fucked you raw. Already shell-shocked from childhood, you seroconverted at 14, have been on the streets for four years, and look really rough. Half-crazy with rage and despair, you kick trash cans and shout in frustration, sometimes sit on the curb sobbing. Everyone avoids you.
These are two pretty extreme, but true, examples. “It Gets Better” is a good message, but it is not enough. The kids need more than words. Even the UC-bound good gay kid needs more than words. And seriously damaged youth need a lot more. They also need the tools to survive a world which will continue at times to be hostile. Food. Shelter. Protection. Health care, including mental health and substance abuse help. Access to education, job-training, connections and good adult mentorship. Spiritual support, including services for survivors of religious abuse. They do not need to be encouraged in magical thinking: “Oh…if I can only get to San Francisco! It’s like Oz! Everything will be fabulous!” Yes, sometimes it gets better. But: it does not always get better, and it does not automatically get better. If we actually want to see the kids flourish, we need to open our eyes to the full scope of the horror under which some queer kids come up – and add real resources that are equal to our encouraging words. We need to get real.
One of the web’s very best, Joe Jervis of Joe. My. God. has been blogging for over eight years, and has built a loyal and lively readership. Unlike many queer sites which strive to create safe spaces for their readers, JMG operates more like a free zone. The unmoderated comments section is always entertaining, informative and challenging…and often offensive. This is a good thing. Debate is healthy. Covering up rot just breeds more rot. And we’ve all got our rotten elements. Air helps dissipate the stink.
Joe published a rant in 2006 in which he talked back to the ‘normal’ gay people who want to rid pride parades of ‘defectives’ – those nice folks who discuss “how we might go about ‘discouraging’ certain ‘elements’ from taking part in the parades.” We all know who the elements are. Joe’s nice gays spell it out: “Why must all the coverage be drag queens and leather freaks in assless chaps?” The more outre the image, the better the press.
Of course, freaks have always made for good spectacle. The ancient Romans even bought and sold deformed human slaves at specialty ‘monstrosity markets.’ We no longer generally buy and sell living human bodies, but we do trade in representations of those bodies: images, words, memes. We deal in abstracts: Semiotic Weaponry – wars of words. Violence is inherent in communication. We undo and remake one another with our choice of words, appearance and other social signifiers. We attract and repulse one another. Vanillas might be put off by Leather’s overt sexuality and we might gag on their cologne. Punks and preps trade shade. We insult each other on purpose and accidentally. Dykes can see patriarchal oppression in a nice basket, and few gay men want to look at naked jiggling double D-cups – even with those little pieces of electrical tape over the nipples. One guy’s hot hairy bear is another’s disgusting old fat man. You think that intersex or trans boy is an attractive man? The guy next to you might think she’s a stupid self-deluding bitch. Feelings are real, but they are not facts. We can modify our interactions to minimize psychic damage, but the potential to offend others with our particular “defects,” or to participate in a particular ideology by our presence, will always be there. Only solitude and silence guarantee against this. We can stake out a spot on the mountaintop or disappear into the depths of a shimmering nishikigoi pond. Not a bad plan for serious self-reflection, but eventually we just might want to rejoin the party. Maybe.
Joe continues: “I’m not worried what the outside world thinks about the drag queens, the topless bulldaggers, or the nearly naked leatherfolk. It’s OUR party, bitches. If you think that straight America would finally pull its homokinder to its star-spangled bosom once we put down that glitter gun, then you are seriously deluding yourself. Next year, if one of the Christian camera crews that show up to film our “debauched” celebrations happen to train their cameras on you, stop dancing. And start PRANCING.” For the rest of the rant, click here.
Friend of this site George Wong passed away the morning of June 6, 2011. George was a long-time officer with Avatar Los Angeles and a Gay Games gold medalist in volleyball. He will be missed. For the Leatherati obituary, click here.
Eric Robinson and "Leathermen" at Las Manos Gallery in Chicago
Eric Robinson’s wet-plate ambrotypes will be showing as part of QIY: Queer It Yourself, which opens Saturday at SOMArts. The exhibit presents alternative, queer, do-it-yourself processes and projects, collaborations, zines, posters, green architecture, activist interventions and recuperations of low-tech media. Robinson took his 19th century kit (big awkard camera, portable darkroom, an array of chemicals, beakers and trays…) to the Dore “Up Your Alley” Fair in 2010, supplementing a series of portraits of Leathermen that he began the previous year. Images from that series will be on exhibit. More on Robinson here, here, here and here.
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Robinson at work making wet-plate ambrotypes. These one-of-a-kind photographs on glass were common during the mid 19th century. As it disappears into the digital realm, this work reminds us of the physical, chemical and optical origins of photography. At the same time, generic conventions suggest that “fetish” photography should be slick and polished, suitable for publication in magazines, and “straight” in the photographic sense. These images kick that cliche, their hand-hewn aesthetic underscoring the sense that we are looking into not only the history of photography, but that of Leather. Old Guard all around…
QIY is part of the National Queer Arts Festival. This year’s theme is A Sustainable Queer Planet. More on the festival here and more soon. QIY opens Saturday, June 4th with a reception from 1pm until 4pm. SOMArts is located at 934 Brannan at 8th St. in San Francisco. The gallery is tucked under the freeway, just to the east of the Trader Joe’s complex.