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- Sights seen at International Mr. Leather in Chicago
- Rats! For real. Sight seen at IML.
- Noh Gaze Aloud…don’t be Meme!
- Gay Highwaymen correspondent AidanAbroad sends pics from China…
- Married at last! Gay pair make it official on 30th anniversary…
- Island hopping…
- Mussel Otter wants to…
- I know you like poke…
- Water bags for water boys?
- Inky gods’ stray musings from the Prophat of the Church of More Men…
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Maštíŋčala Sáŋ
- Spiny Lumpsucker
- Gay Activism and Iran: Do Western Activists Do More Harm Than Good? (Link to article by Scott Long)
- Emigrant: The Other White Meat?
- Obama Loves Queers! (Except Not)
- Hot (the bad kind) in the Mission
- HuffPost Gay Voices: Liberian Anti-Gay Group Issues Hit List, Governments Do Nothing
- Exotic, Fresh, and Fruity: Seen at the Asian Market
- Deadly Beauties
- More boy love/lust graffiti in SF
- “I WHAT Cock?” – Construction Sign Self-Expression
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Tag Archives: Gay
Home Sites: Sights seen in the Studio and the Kitchen
Installations of objects, books and ephemera in a home office/studio. Phresh phallic cheese bread tastes as good as it looks…hot from the oven. Goes great with phallic zucchini. Slather with butter and enjoy!
Posted in Collecting, DIY and Maker Culture, Gardening, Mendocino County, Photography
Tagged Art, Culture, DIY, Food, Gay, Home, Kitchen, Photography, Studio
The Queer Cultural Center and San Francisco Camerawork to screen “A Fire In My Belly” by David Wojnarowicz Friday December 10
The Queer Cultural Center and San Francisco Camerawork present a special screening of the entire 13-minute video of A Fire in my Belly by David Wojnarowicz. The screening is one of many being held at galleries in cities country-wide to protest the recent censorship of the Wojnarowicz video from the Hide/Seek exhibition at the National Portrait Gallery of the Smithsonian Institution. A Fire In My Belly is being made available by the the artist’s estate and the P.P.O.W. Gallery. The 13-minute video will be folowed by a presentation on censorship and the arts by art historian Robert Atkins. A roundtable discussion of the issues will include a Skype visit by Hide/Seek curator Jonathan Katz. Ian Carter, Kim Anno and others will join in what is sure to be a lively discussion.
Friday, December 10, 2010 at 7:00 pm
San Francisco Camerawork 657 Mission Street San Francisco, Second Floor
Posted in Art and Artists, Video
Tagged A Fire in my Belly, Art, censorship, Culture, David Wojnarowicz, Film, Gay, Queer Cultural Center, SF Camerawork, Smithsonian
New York’s P.P.O.W. Gallery issues Statement, offers Wojnarowicz “One Day this Kid” Posters for download
New York’s P.P.O.W. Gallery represents the estate of the late gay artist David Wojnarowicz. The East Village Gallery loaned the Smithsonian’s National Portrait Gallery his Fire In My Belly, the video that was censored from the exhibit Hide/Seek: Difference and Desire in American Portraiture. Now, they have issued a statement on the unfolding scandal:
P.P.O.W and The Estate of David Wojnarowicz disagree with the Smithsonian’s decision to withdraw the artist’s 1987 film piece “A Fire in My Belly” from the National Portrait Gallery’s exhibition entitled “Hide/Seek:
Difference and Desire in American Portraiture.” P.P.O.W has represented Wojnarowicz’s work since 1988 and maintained a close working relationship with the artist until his death in 1992. The gallery now represents his estate.
On behalf of the estate, the gallery would like to offer the artist’s words to illuminate his original intentions. In a 1989 interview Wojnarowicz spoke about the role of animals as symbolic imagery in his work, stating, “Animals allow us to view certain things that we wouldn’t allow ourselves to see in regard to human activity. In the Mexican photographs with the coins and the clock and the gun and the Christ figure and all that, I used the ants as a metaphor for society because the social structure of the ant world is parallel to ours.”
The call for the removal of “A Fire in My Belly” by Catholic League president William Donahue is based on his misinterpretation that this work was “hate speech pure and simple.” This statement insults the legacy of Wojnarowicz, who dedicated his life to activism and the arts community. David Wojnarowicz’s work is collected by international museums including the Museum of Modern Art, NY, The Whitney Museum, The Library of Congress, The New York Public Library, The San Francisco Museum of Modern Art, The Reina Sofia in Madrid, Museum Ludwig in Cologne, the Tokyo Metropolitan Museum of Photography, etc. Wojnarowicz is also an established writer; his most well known memoirs are Close to the Knives and Memories That Smell Like Gasoline, which are included on many university syllabi. In 1990 the artist won a historic Supreme Court case, David Wojnarowicz v. American Family Association. The courts sided with Wojnarowicz after he filed suit against Donald Wildmon and the American Family Association, who copied, distorted and disseminated the artist’s images in a pamphlet to speak out against the NEA’s funding of exhibits that included art works of Wojnarowicz and other artists. We are deeply troubled that the remarks, which led to the removal of David’s work from Hide/Seek, so closely resemble those of the past. Wojnarowicz’s fight for freedom of artistic expression, once supported by the highest court, is now challenged again. In his absence, we know that his community, his supporters, and the many who believe in his work will carry his convictions forward.
Three versions of “A Fire in My Belly” will be posted on P.P.O.W’s Vimeo channel and on our website’s news page for viewing and screening:
This includes the original 13-minute version edited by Wojnarowicz, a 7-minute additional chapter found on another film reel in Wojnarowicz’s collection, and the 4-minute version shown at the Smithsonian National Portrait Gallery, with an audio re-mix featuring Diamanda Galas and edited by curator Jonathan Katz. We invite anyone to download and to screen; please include this statement with any screening and inform P.P.O.W when the film is being shown so we may keep a record and list venues on our website and social media pages.
Additional images of his other works, including “Christ with Ants” and “Untitled (One Day This Kid…)” can be found on his artist’s page
For further information or a DVD of these videos please contact the gallery.
511 W. 25th Street, Room 301, New York, NY 10001
Tel: 212-647-1044 email: info@ppowgallery.com
Euriamis Losada sings the Impossible Dream – more than just the Gay Gain Guy!
One man…scorned and covered with scars. What a great line. Gay actor and singer Euriamis Losada gives another meaning to the classic Impossible Dream. Losada is originally from Miami and now lives in Los Angeles. His acting credits include Che and Another Gay Sequel, but he says that mostly, when he is recognized in public, it is from a Gain detergent commercial. Losada also sings with the LA Gay Mens Chorus. Good luck to him in his career. LA will eat actors alive, and this one is certainly tasty enough to temp a bite. Magnifico!
Posted in Music, Southern California, Video
Tagged Culture, Euriamis Losada, Gay, Impossible Dream, Miami, Music, Sexy, singer
Curator Jonathan D. Katz Statement on Smithsonian NPG censorship of Hide/Seek exhibit
On the scandal at the Smithsonian:
Statement from Jonathan D. Katz, co-curator of the National Portrait Gallery’s Hide/Seek:Difference and Desire in American Portraiture.
I curated, with David C. Ward of the National Portrait Gallery, the groundbreaking exhibition Hide/Seek. Sadly, I was not consulted when the Smithsonian elected to censor a work by David Wojnarowicz, and then redoubled that insult by referring to “AIDS victims” in their statement—employing the very victimizing locution Wojnarowicz fought with his dying breath to oppose. (Ward was “consulted” but his objections were ignored.) An exhibition explicitly intended to finally, in 2010, break a 21-year-old blacklist against the representation of same sex desire in America’s major museums now, ironically, finds itself in the same boat. In 1989, Senator Jesse Helms demonized Robert Mapplethorpe’s sexuality, and by extension, his art, and with little effort pulled a cowering art world to its knees. His weapon was threatening to disrupt the already pitiful Federal support for the arts. And once again, that same weapon is being brandished and once again we cower. When will it be time for the decent majority of Americans stand against a far-Right fringe that sees censorship as a replacement for dialog and debate? There are larger principles at work, and generations hence will judge our actions today.
This is a culture war we did not seek out, nor start. But appeasing tyranny has never worked and can never work, for tyranny wants only obedience, and blind obedience is antithetical to what this nation stands for; we were, as a people, born in protest to tyranny. Were the men and women whose portraits grace the National Portrait Gallery able to take a stand, I have little doubt they would line up behind the separation of Church and State, enshrined in our Constitution, that this incident calls so painfully into question. Furthermore, they would readily agree that America’s core value, also enshrined in our Constitution, is our freedom of speech. With this as our defining principle, it stands to reason we will disagree, but our disagreements are healthy, even necessary to achieving a genuine democracy. We should be promoting this national conversation, not killing it. Art in general, and this kind of art in particular, is precisely a spur to conversation and to thought–something all civil society should support and celebrate. But when the Smithsonian, under pressure to be sure, starts bowing to its censors, it abrogates its charge as our National museum. But let’s also not lose sight of the fact that the National Portrait Gallery alone had the courage to defy a shameful silence that every other institution in the US upheld. We can not and should not leave them hanging. Where are our democratic Representatives when we most need them to be battling this naked power grab by a resurgent Right? Please write your Senators and Congressional Representatives and urge them to stand against Boehner, Cantor and their calls for a police state. We must nip this in the bud lest 2010 become the 80s all over again.
Over a century and half ago, Walt Whitman wrote, in support of precisely the core values currently under threat:
Unscrew the locks from the doors! Unscrew the doors themselves from their jambs!
Whoever degrades another degrades me, And whatever is done or said returns at last to me….
Through me forbidden voices, Voices of sexes and lusts, voices veil’d and I remove the veil, Voices indecent by me clarified and transfigur’d.
We sought to remove a veil and in opposing that move, our enemies have damaged our democracy once again. I pray it is not another 21 years before someone else tries to remove that veil again. I am sad for us all.
Jonathan D. Katz, Director, Visual Studies Doctoral Program, SUNY Buffalo
Tattooed Aerial Contortion: Red Silk Otter graces World AIDS Day
A touch of beauty, strength and youthful vigor on a day when we remember the tragedy of so many who were taken from us so young, their life forces interrupted while still in ascent.
From friend of this site George Wong of LA, who drops such regular seasonal gems as this Veterans’ Day Ensemble. In a similar vein, from a different source, is Happy Thanksgiving, boy! Thanks, George.
Posted in Art and Artists, Photography, Sexy Holidays, Subcultures
Tagged Acrobat, Aerial, Contortion, Gay, Photography, Silks, Tattoo, World AIDS Day
Nutricious and Delicious! A Happy Thanksgiving Day Spread.
Fresh Thanksgiving boy with all the trimmings! Have another helping. It’s good for you. And it’s good for the boy!
Oh yes…C’est la vie, c’est la guerre, tout le monde manges pommes des terre.
Posted in Photography, Sexy Holidays
Tagged Bondage, Boy, Cooking, Gay, Humor, Photography, Thanksgiving, Turkey
Harry Potter and the Homoerotic Subtext
From friend of this site Maestro Roberto-Juan Gonzalez. And, yes, he really is a Maestro: conducts an orchestra in formal Leather, and has a seriously twisted sense of humor. Thanks, Roberto!
Tagged Film, Gay, Harry Potter, Homoerotic, Mash-up, Satire, Trailer
Ahoy, boys! Happy Veteran’s Day to our Mermen in Uniform…
Happy Veteran’s Day from friend of this site George Wong. Thanks, George! These sexy mermen sailors make me want to pull in a dock. Ahoy, boys…and thanks so much for your Service!
Update for Veteran’s Day, 2011: George Wong passed away this past summer. He will be missed.
Posted in Photography, Sexy Holidays
Tagged Camp, Culture, Gay, George Wong, Merman, Mermen, Photography, Sailor, Sexy, Veterans Day
Leather or Not? Is SF Giants’ Star Pitcher Brian Wilson Kinky? Is “The Beard” Gay?
Just For Men Wilson. B-Weezy. Flicker. Mental Assassin. The Beard. Whatever you call him, Giants star pitcher Brian Wilson is as much a performance artist as he is an athlete. But what does it mean? The look: tattoos, mohawk, shaved head, thick beard, torn t-shirt, pinky ring, a cock-ring worn as bracelet, always close at hand. The attitude. The friends. Who is The Machine? A neighbor who comes by for “sugar” as he quips to the startled interviewer Chris Rose? His team-mate Pat Burrell playing an elaborate prank as suggested by some internet commentators? And what about the gear? Described as wearing a “gimp outfit” by some in a reference to Pulp Fiction, the man in the leather harness, jockstrap and hood in the background of this video would look right at home in a private dungeon or at the SF Eagle on a Sunday afternoon. But then…so would Wilson. So the question, still open, is: “Is he or isn’t he?” Is he playing a character? Or is he really…one of us?
Posted in Baseball, Leather, San Francisco, Strange News, Video
Tagged BDSM, Brian Wilson, Gay, Kink, Leather, performance art, SF Giants, The Beard, The Machine

