Some Day This Kid
New York’s P.P.O.W. Gallery represents the estate of the late gay artist David Wojnarowicz. The East Village Gallery loaned the Smithsonian’s National Portrait Gallery his Fire In My Belly, the video that was censored from the exhibit Hide/Seek: Difference and Desire in American Portraiture. Now, they have issued a statement on the unfolding scandal:
P.P.O.W and The Estate of David Wojnarowicz disagree with the Smithsonian’s decision to withdraw the artist’s 1987 film piece “A Fire in My Belly” from the National Portrait Gallery’s exhibition entitled “Hide/Seek:
Difference and Desire in American Portraiture.” P.P.O.W has represented Wojnarowicz’s work since 1988 and maintained a close working relationship with the artist until his death in 1992. The gallery now represents his estate.
On behalf of the estate, the gallery would like to offer the artist’s words to illuminate his original intentions. In a 1989 interview Wojnarowicz spoke about the role of animals as symbolic imagery in his work, stating, “Animals allow us to view certain things that we wouldn’t allow ourselves to see in regard to human activity. In the Mexican photographs with the coins and the clock and the gun and the Christ figure and all that, I used the ants as a metaphor for society because the social structure of the ant world is parallel to ours.”
The call for the removal of “A Fire in My Belly” by Catholic League president William Donahue is based on his misinterpretation that this work was “hate speech pure and simple.” This statement insults the legacy of Wojnarowicz, who dedicated his life to activism and the arts community. David Wojnarowicz’s work is collected by international museums including the Museum of Modern Art, NY, The Whitney Museum, The Library of Congress, The New York Public Library, The San Francisco Museum of Modern Art, The Reina Sofia in Madrid, Museum Ludwig in Cologne, the Tokyo Metropolitan Museum of Photography, etc. Wojnarowicz is also an established writer; his most well known memoirs are Close to the Knives and Memories That Smell Like Gasoline, which are included on many university syllabi. In 1990 the artist won a historic Supreme Court case, David Wojnarowicz v. American Family Association. The courts sided with Wojnarowicz after he filed suit against Donald Wildmon and the American Family Association, who copied, distorted and disseminated the artist’s images in a pamphlet to speak out against the NEA’s funding of exhibits that included art works of Wojnarowicz and other artists. We are deeply troubled that the remarks, which led to the removal of David’s work from Hide/Seek, so closely resemble those of the past. Wojnarowicz’s fight for freedom of artistic expression, once supported by the highest court, is now challenged again. In his absence, we know that his community, his supporters, and the many who believe in his work will carry his convictions forward.
Three versions of “A Fire in My Belly” will be posted on P.P.O.W’s Vimeo channel and on our website’s news page for viewing and screening:
Vimeo channel
P.P.O.W News Page
This includes the original 13-minute version edited by Wojnarowicz, a 7-minute additional chapter found on another film reel in Wojnarowicz’s collection, and the 4-minute version shown at the Smithsonian National Portrait Gallery, with an audio re-mix featuring Diamanda Galas and edited by curator Jonathan Katz. We invite anyone to download and to screen; please include this statement with any screening and inform P.P.O.W when the film is being shown so we may keep a record and list venues on our website and social media pages.
Additional images of his other works, including “Christ with Ants” and “Untitled (One Day This Kid…)” can be found on his artist’s page
For further information or a DVD of these videos please contact the gallery.
511 W. 25th Street, Room 301, New York, NY 10001
Tel: 212-647-1044 email: info@ppowgallery.com
Happy New Year! Everyone knows seminal Leather artist Tom of Finland, but there were a lot of other artists who were his contemporaries and who worked in a similar vein. One of the other stars was “Etienne” – the nom d’art of Chicago-based Leatherman Dom Orejudos. Read Durk Dehner’s article on his work at the website of the Leather Archives and Museum. Tom and Dom had a mutual admiration society as artists, and maintained a correspondence. And The Texan recalls that back in the day Etienne was “a big old bottom.” Here’s his rendition of a very festive holiday party. Bottoms up and best to All in the New Year!
gayhighwaymen
Maštíŋčala Sáŋ
The Gay Highwaymen 