Category Archives: New York

“…it is up to the individuals to protect their own rights…” Declaration of the Occupation of New York…and a Simpatico Marine!

The protests that began on Wall Street continue to spread. Marines join cafe hipsters, unionists and naked artists. Hot revolutionaries abound. Hand-painted signs co-exist easily with multitudes of mobile devices. Fueled by the hot Sahara winds of the Arab Spring with its nutrient-rich optimism, the American Fall unfolds daily.  Begging questions: “What will happen when the winter comes?” “When’s harvest?” and “What exactly is growing here?”

The General Assembly of Occupy Wall Street has issued a statement, reproduced in whole below:

As we gather together in solidarity to express a feeling of mass injustice, we must not lose sight of what brought us together. We write so that all people who feel wronged by the corporate forces of the world can know that we are your allies.

As one people, united, we acknowledge the reality: that the future of the human race requires the cooperation of its members; that our system must protect our rights, and upon corruption of that system, it is up to the individuals to protect their own rights, and those of their neighbors; that a democratic government derives its just power from the people, but corporations do not seek consent to extract wealth from the people and the Earth; and that no true democracy is attainable when the process is determined by economic power. We come to you at a time when corporations, which place profit over people, self-interest over justice, and oppression over equality, run our governments. We have peaceably assembled here, as is our right, to let these facts be known.

They have taken our houses through an illegal foreclosure process, despite not having the original mortgage.

They have taken bailouts from taxpayers with impunity, and continue to give Executives exorbitant bonuses.

They have perpetuated inequality and discrimination in the workplace based on age, the color of one’s skin, sex, gender identity and sexual orientation.

They have poisoned the food supply through negligence, and undermined the farming system through monopolization.

They have profited off of the torture, confinement, and cruel treatment of countless animals, and actively hide these practices.

They have continuously sought to strip employees of the right to negotiate for better pay and safer working conditions.

They have held students hostage with tens of thousands of dollars of debt on education, which is itself a human right.

They have consistently outsourced labor and used that outsourcing as leverage to cut workers’ healthcare and pay.

They have influenced the courts to achieve the same rights as people, with none of the culpability or responsibility.

They have spent millions of dollars on legal teams that look for ways to get them out of contracts in regards to health insurance.

They have sold our privacy as a commodity.

They have used the military and police force to prevent freedom of the press. They have deliberately declined to recall faulty products endangering lives in pursuit of profit.

They determine economic policy, despite the catastrophic failures their policies have produced and continue to produce.

They have donated large sums of money to politicians, who are responsible for regulating them.

They continue to block alternate forms of energy to keep us dependent on oil.

They continue to block generic forms of medicine that could save people’s lives or provide relief in order to protect investments that have already turned a substantial profit.

They have purposely covered up oil spills, accidents, faulty bookkeeping, and inactive ingredients in pursuit of profit.

They purposefully keep people misinformed and fearful through their control of the media.

They have accepted private contracts to murder prisoners even when presented with serious doubts about their guilt.

They have perpetuated colonialism at home and abroad. They have participated in the torture and murder of innocent civilians overseas.

They continue to create weapons of mass destruction in order to receive government contracts. *

To the people of the world,

We, the New York City General Assembly occupying Wall Street in Liberty Square, urge you to assert your power.

Exercise your right to peaceably assemble; occupy public space; create a process to address the problems we face, and generate solutions accessible to everyone.

To all communities that take action and form groups in the spirit of direct democracy, we offer support, documentation, and all of the resources at our disposal.

Join us and make your voices heard!

Hot Revolutionaries #OccupyWallStreet – Sexy Slide Show!

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We are living in interesting times…

Photos via Getty Images and David Shankbone.

For naked artists on Wall Street, click here.

Art Crime: Naked Artists Occupy Wall Street in Ocularpation

Ocularpation is a project of New York artist Zefrey Throwell. It started in San Francisco in 2008, and has apparently found a plum context in the ongoing occupation of Wall Street. The image here is from an August iteration of the project, before the current occupation got under way. Throwell says of the neologism and the project: “Ocularpation is a new contraction. Its root comes from occupation, with the dual connotation of both a job done for money, as well as a military or strategic encampment. Ocular, or pertaining to the eye, cements the meaning of the word in a visual context. This is an act of optical guerilla office bivouac.” In short, miming office work in the buff in some of the major financial centers of the world. Of course, some of the naked artists have been arrested. Throwell bails them out. But what about the real criminals…? More Ocularpation here.

Did the Gays crack the Washington Monument?

20110824-101456.jpg

It’s official. The world’s tallest stone building, the rock-hard phallic symbol of the United States of America, cracked in yesterday’s rare east coast earthquake. Satirical website ChristWire has scooped the “real” religious extremists in blaming the gays. They write: “Tremble and cower, nation of perverse homosexual communist fecal fetish meisters. Do you think you can lustfully revel in the mucky glory hole of a skippy-dee-doo-dah gender denier and then get away from God’s wrath, gays?” Well…we can TRY!

Endangered Leather Species Alert: SF Eagle gone, NYC Eagle threatened…

Gay marriage passes in NYC. On the same night, the Eagle NYC is raided. Some insiders think this is the beginning of the end for the bar. Will this be the latest Leather institution lost to the forces of gentrification? Jeremiah from Vanishing New York seem to think so.  Unicorn Booty reports from Gotham. For the death throes of the SF Eagle, click here, here, and  here. For the graffiti that sprouted after the doors shut, here.

The Conservative Case for Gay Marriage

I’ve been saying for a long time that gay marriage is actually a conservative cause… Here is an article by Herbert Hoover’s great-granddaughter Margaret Hoover that argues the same thing: “The conservative case for gay marriage: GOP is not the party of intolerance.”

This article was written in the context of the current fight for same-sex marriage in New York State. She writes, in part:

“Conservatives are right to value marriage as the world’s most powerful social institution. The marital bond provides a nongovernmental social safety net, whereby individuals care for one another and anchor civil society in self-sufficiency.

“But to deny one class of citizens the freedom to marry based on their sexual orientation is discriminatory – anathema to the great tradition of freedom and equal opportunity upon which the Republican Party was founded. Civil unions are an inadequate substitute. We’ve seen in America that separate is never equal.

“Limited-government conservatives believe in maximum individual freedom consistent with law and order. We do not believe that the state should have the power to confer rights upon some law-abiding citizens while discriminating against others.

“Nor should the government be in the business of telling churches, synagogues or mosques whom they can and cannot marry. That’s why the bill in New York includes protections for religious liberties that ensure no religious leader or institution will have to solemnize marriages for same-sex couples.”

Worth reading – check it out.

-AidanAbroad

Get my Money Back! New from Cazwell.

Lots of cute half-naked boys dancing in cages, eating bananas and wearing fuzzy monkey hipster hats. Is that fetish wear? Hard to tell. Watch out for the rapidly expanding pocket monkeys. Ouch! The latest by gay dance phenom Cazwell and his dancers. More of his tasty flesh and flash here.

London’s National Theatre opens “Angelheaded Hipsters” photos by Gay Beat Alan Ginsberg

Timothy Leary and Neal Cassady 1st meeting in Ken Kesey's Merry Pranksters' 'Further' bus which Neal'd driven crosscountry SF to NY via Texas before Fall 1964 presidential election.

Beat. Beat Up. Beat Down. Beatitude. Beatnik. The mid-century, cold-war-era Beat movement exemplified movement – from degradation to grace and back again. And again. On the Road. Howl. Its literary and poetic icons were painful and exultant. The same productive tension appears in Angelheaded Hipsters, the new exhibit of photographs by Gay Beat Alan Ginsberg that just opened at London’s National Gallery. Caught by camera are Ginsberg, William Burroughs, Jack Kerouac, Neal Cassady, Timothy Leary, Ken Kesey and other artists, writers and cultural figures who defined a moment. A BBC slide show of the exhibit is available here.

Justin Bond in the New Yorker. Fabulous Pixels and Ink! Plus…vintage Kiki and Herb.

At Joe's Pub

Friend of this site Mx. Justin V. Bond is featured in this week’s New Yorker magazine. Congratulations, Justin!

In “Justin Bond performs his life and ours”, theater critic Hilton Als runs through a history of Mx. Bond’s early history, focusing on the “Kiki and Herb” days, and reviews the current show at Joe’s Pub, before summing things up: “Bond’s message: we must celebrate diversity, or die.” Good words for today – or any day. New Yorker requires a subscription to read full articles on-line, but you can see an abstract of the article here.

In celebration of the past, enjoy this classic Kiki and Herb video of their vintage rendition of Total Eclipse of the Heart. Beautifully produced and directed by Victoria Leacok. For recent work, there is the very biting New Depression. A live version. And in anticipation of the future, check out Bond’s site. It’s been a ride. And it’s not over yet. Hang on tight!

New York’s P.P.O.W. Gallery issues Statement, offers Wojnarowicz “One Day this Kid” Posters for download

Some Day This Kid

New York’s P.P.O.W. Gallery represents the estate of the late gay artist David Wojnarowicz. The East Village Gallery loaned the Smithsonian’s National Portrait Gallery his Fire In My Belly, the video that was censored from the exhibit Hide/Seek: Difference and Desire in American Portraiture. Now, they have issued a statement on the unfolding scandal:

P.P.O.W and The Estate of David Wojnarowicz disagree with the Smithsonian’s decision to withdraw the artist’s 1987 film piece “A Fire in My Belly” from the National Portrait Gallery’s exhibition entitled “Hide/Seek:

Difference and Desire in American Portraiture.” P.P.O.W has represented Wojnarowicz’s work since 1988 and maintained a close working relationship with the artist until his death in 1992. The gallery now represents his estate.

On behalf of the estate, the gallery would like to offer the artist’s words to illuminate his original intentions. In a 1989 interview Wojnarowicz spoke about the role of animals as symbolic imagery in his work, stating, “Animals allow us to view certain things that we wouldn’t allow ourselves to see in regard to human activity. In the Mexican photographs with the coins and the clock and the gun and the Christ figure and all that, I used the ants as a metaphor for society because the social structure of the ant world is parallel to ours.”

The call for the removal of “A Fire in My Belly” by Catholic League president William Donahue is based on his misinterpretation that this work was “hate speech pure and simple.” This statement insults the legacy of Wojnarowicz, who dedicated his life to activism and the arts community. David Wojnarowicz’s work is collected by international museums including the Museum of Modern Art, NY, The Whitney Museum, The Library of Congress, The New York Public Library, The San Francisco Museum of Modern Art, The Reina Sofia in Madrid, Museum Ludwig in Cologne, the Tokyo Metropolitan Museum of Photography, etc. Wojnarowicz is also an established writer; his most well known memoirs are Close to the Knives and Memories That Smell Like Gasoline, which are included on many university syllabi. In 1990 the artist won a historic Supreme Court case, David Wojnarowicz v. American Family Association. The courts sided with Wojnarowicz after he filed suit against Donald Wildmon and the American Family Association, who copied, distorted and disseminated the artist’s images in a pamphlet to speak out against the NEA’s funding of exhibits that included art works of Wojnarowicz and other artists. We are deeply troubled that the remarks, which led to the removal of David’s work from Hide/Seek, so closely resemble those of the past. Wojnarowicz’s fight for freedom of artistic expression, once supported by the highest court, is now challenged again. In his absence, we know that his community, his supporters, and the many who believe in his work will carry his convictions forward.

Three versions of “A Fire in My Belly” will be posted on P.P.O.W’s Vimeo channel and on our website’s news page for viewing and screening:

Vimeo channel

P.P.O.W News Page

This includes the original 13-minute version edited by Wojnarowicz, a 7-minute additional chapter found on another film reel in Wojnarowicz’s collection, and the 4-minute version shown at the Smithsonian National Portrait Gallery, with an audio re-mix featuring Diamanda Galas and edited by curator Jonathan Katz. We invite anyone to download and to screen; please include this statement with any screening and inform P.P.O.W when the film is being shown so we may keep a record and list venues on our website and social media pages.

Additional images of his other works, including “Christ with Ants” and “Untitled (One Day This Kid…)” can be found on his artist’s page

For further information or a DVD of these videos please contact the gallery.

511 W. 25th Street, Room 301, New York, NY 10001

Tel: 212-647-1044 email: info@ppowgallery.com