Category Archives: DIY and Maker Culture

Eric Robinson’s “Leathermen” at QIY: Queer It Yourself – Big Gay Art Show

Eric Robinson and "Leathermen" at Las Manos Gallery in Chicago

Eric Robinson’s wet-plate ambrotypes will be showing as part of QIY: Queer It Yourself, which opens Saturday at SOMArts. The exhibit presents alternative, queer, do-it-yourself processes and projects, collaborations, zines, posters, green architecture, activist interventions and recuperations of low-tech media. Robinson took his 19th century kit (big awkard camera, portable darkroom, an array of chemicals, beakers and trays…) to the Dore “Up Your Alley” Fair in 2010, supplementing a series of portraits of Leathermen that he began the previous year. Images from that series will be on exhibit. More on Robinson here, here, here and here.

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Robinson at work making wet-plate ambrotypes. These one-of-a-kind photographs on glass were common during the mid 19th century. As it disappears into the digital realm, this work reminds us of the physical, chemical and optical origins of photography. At the same time, generic conventions suggest that “fetish” photography should be slick and polished, suitable for publication in magazines, and “straight” in the photographic sense. These images kick that cliche, their hand-hewn aesthetic underscoring the sense that we are looking into not only the history of photography, but that of Leather. Old Guard all around…

QIY is part of the National Queer Arts Festival. This year’s theme is A Sustainable Queer Planet. More on the festival here and more soon. QIY opens Saturday, June 4th with a reception from 1pm until 4pm. SOMArts is located at 934 Brannan at 8th St. in San Francisco. The gallery is tucked under the freeway, just to the east of the Trader Joe’s complex.

Hide/Seek in San Francisco with Curator Jonathan D. Katz

Hide/Seek Curator Jonathan D. Katz

Last October, The Smithsonian National Portrait Gallery opened Hide/Seek: Difference and Desire in American Portraiture, the first major museum exhibition showing how the questions of gender and sexual identity have dramatically shaped the creation of modern American portraiture.

For background on the censorship scandal that ensued, click here, here, and here.

On June 3rd, Jonathan D. Katz, director of the doctoral program in visual studies, State University of New York at Buffalo, will discuss his role as co-curator and will consider such themes as sexual difference in depicting modern Americans; how artists have explored the definition of sexuality and gender; how major themes in modern art-especially abstraction-were influenced by this form of marginalization and how art reflected society’s changing attitudes. -via QCC

The program is at The LGBT Community Center at Market and Octavia. It begins at 8pm and costs $10. Want to get more of Katz? Want to give more to regional arts and humanities? Come to the Pre-party!

From 6pm until the lecture starts, enjoy a reception for Dr. Katz to benefit the Queer Cultural Center‘s Queer Conversations on Culture and the Arts: a series of lectures co-presented by QCC and the California College of the Arts. QCCA brings together locally and nationally renowned artists, writers, filmmakers, and scholars for a series of conversations to discuss a broad range of topics in the humanities and the arts. Reception tickets are $25-$100 donation and include wine, hors d’oeuvres, and preferred seating at the lecture.

A Sustainable Queer Planet? 14th Annual National Queer Arts Fest opens in SF

Philip Huang performs June 9 & 10 at Eros

We have made it this far. What next? How can we keep what we have created and protect it for the generations coming up? The theme of this year’s National Queer Arts Festival is A Sustainable Queer Planet. Presented by The Queer Cultural Center, the festival includes 22 venues and runs for a month. An array of performers, poets, writers, visual artists, musicians, comedians and dancers work through diverse notions of sustainability. Organizations, collaborations, friendships, political movements, publications, networks, connectivity, intentional communities, Queer families, and various ecological and economic interventions are all well represented in this month-long festival. High Holy Homo Days are upon us!

Watch this space for notices and commentaries on select individual programs. Philip Huang, pictured above, performs in Formerly Known As: Performances by Male and Trans Sex Workers. This two-day program, hosted by Kirk Read, takes place at The Center for Sex and Culture, and features a different line-up each night. It includes writers, performance artists, comedians and a slideshow of visual work. For a complete listing of festival offerings, visit The Queer Cultural Center’s site here.

Happy Birthday boy!

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To our KC ‘Mo Gryphon Van Der Hole. These pics were taken in Kansas City in 2010. Gryphon is a talented artist. Seldom SFW! For pics of his wonderful Cock Blocks series of gilded penii on black leather, click here. For a visit to his opening at the Slap & Tickle Gallery by the boys of Homo Genii, click here. For a lot more of Gryphon, check out Dapperkink, on the sideline. Happy Birthday, boy!

Redwood Lumberjack on US 101

Chainsaw art seen on US 101 in Mendocino County. They also had Shrek…

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Laissez Les Bons Temps Roulez! Mardi Gras Krewe of St. Anne

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…and The Krewe of Guns in Churches and the very vegetative Krewe Dite’ and other assorted Krewes, Walking and Rambling Clubs, Pleasure and Social Clubs and plenty of Brass Bandage. For more on the Krewe of St. Anne, click here. For “Show Us Your Dick!”- a slide show showing the throwing of beads at boys from the balcony at Lafitte’s, click here.

Mardi Gras in New Orleans: before the Krewe of St. Anne Procession

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The Secret Society or Mystic Krewe of St. Anne is a walking club that was formed in response to the 1969 ban on rolling parades in the French Quarter. It is known for the elaborate costumes of the creative core group, which gathers before the march in the Bywater district. That group is joined by other parties along the parade route, which winds through the Faubourg Marigny and the Quarter. Here, sights seen before the march. Much more on Mardi Gras, tossing beads at boys and our gracious party host. Just click the links.

Where Yat Magazine says of St. Anne:

“The Society of Saint Anne is one of the best not-quite-kept secrets. Those in search of beads, breasts and beer best stay by Bourbon Street, as they will not appreciate the beauty and pageantry of this walking club. But those needing a respite from the unimaginative verbal assaults, the stench of urine and groping crowds need only walk one block out of the Quarter on Tuesday morning.

The R Bar, at the corner of Royal and Kerlerec, is one of the many hosts that will greet, with open arms and libations, the magic. For certain, the Society of St. Anne dispenses magic from its first strut beginning in the Ninth Ward and along its path through the old neighborhoods eager to receive the walking procession’s good cheer.

It is this corner, just outside the Vieux Carre, that seems to marry and unite the neighborhoods on both sides of Esplanade. And for those joining the regalia’s ranks, it is a welcomed culture shock. The wanna-be Mardi Gras of crassness is left behind and replaced by theater. Venetian vintage capes and gowns of velvet adorn those whose identify is masked in the commedia dell’arte tradition. Papier-mâché creatures prance, fairies flit, cowboys and cowgirls ride tall on galloping bicycles, and renegade feathers float among Elvis kings and six foot queens.

The Society of Saint Anne’s wending from somewhere in the Bywater to Royal, and on to Canal Street to greet the Rex parade, has become pretty much public domain – with folks flocking to watch and join in. Those in the know say that sometime during the ‘80s, the procession began going down to the river after viewing Rex. Initially this was to honor those friends within the Society of St. Anne that had succumbed to AIDS. There at the river, their ashes would be tossed into the Mississippi’s currents. This practice of casting the ashes of those friends wishing one last fling with the Society is tradition now.

This Carnival walking club is not always forthcoming about its precisian – it is, of course, a secret society. But in recent years, a few well-chosen interviews have been granted. From these and from guarded word of mouth, certain facts are as follows. In 1969, Henri Schindler, author (most notably of the definitive text, Mardi Gras, New Orleans), Carnival designer, historian and true devotee of Mardi Gras began the Society of St. Anne along with friends Paul Poche and Jon Newlin. The inception of the society began as a reaction to the ordinance that banned the old-line parades from the Vieux Carre.

The naming of this band of costumed marchers apparently was inspired by the trio’s discovery of a tomb in St. Louis Cemetery No.1 honoring the Societe’ de Sainte Anne, a benevolent society founded by the Sisters of Charity. And from the quiet of a cemetery grew a vibrant and colorful tradition.

While this caravan of revelers has grown from the imaginations of three to easily over 2000 costumed participants on Mardi Gras Day, the core group is rumored to number around 200. It is this creative core that plots and plans throughout the year with parties, a rumored ball and extensive work creating the exquisite costumes and their signature hula-hoops flowing with ribbons from atop tall poles.

And while much has been written and discussed of the Society of Saint Anne, make no mistake, this organization holds fast to its tenets – secrecy being foremost. Just ask one too many questions, and you will receive a smile, but with it a coy yet firm “No comment.””

Pigs in N’awlins? Oink!

QIY: Queer It Yourself – Tools for Survival. Call for Artists and Makers. Big Gay June Show in San Francisco.

As a part of the 2011 National Queer Arts Festival, “A Sustainable Queer Planet,” the Visual Arts Committee of the Queer Cultural Center presents: QIY: Queer It Yourself – Tools for Survival

Inspired by the late 1960s utopian builders’ guide A Whole Earth Catalog, QIY – Tools for Survival presents an exhibition of queer do-it-yourself culture and alternative world making.

QIY is envisioned as a laboratory for creating a sustainable queer culture and demonstrating the power of self and community organizing, re-creation, speculation, and transformation. As an antidote to anti-sociality theories of queerness (that suggest queerness can only be rendered as a negation of heteronormativity), Queer It Yourself invites artists to forge their own tools for surviving the everyday challenges of contemporary queer existence.

This exhibition encourages artists to develop workstations, participatory spaces, hands-on training areas, maps, and information kiosks. We seek workshops and lectures that create immersive and interactive experiences for viewers. We also encourage educational workshops that will help artists and newly forming artists groups to write grants, and to better understand the arts funding world.

Queering the index of the original Whole Earth Catalog, the various sections of the QIY exhibition include:

Land Use / Dig it (organic farming, community gardens, eco-projects, cruising sites, earthworks, recycling projects, rural gay culture, hippies and rednecks, RFD zine, Billy Club, 420 cultures, mountain men, off the grid living, survivalism, subsistence, indigenous and third world land use, border disputes)

Shelter / Sheltering (guides to urban and rural homemaking, urban and rural homelessness, cars, tents, bridges and freeway overhangs, tiny houses, pre-fab housing, visionary architecture, greening your living space, creating mood lighting with energy efficient fixtures, housing collectives, polyamorous living)

Craft Making / Queering it (queer arts and crafts, craft demos, how-to guides and workshops, how to use etsy.com, Blurb and self-publishing software, QIY kinky toys, homemade fashion and couture)

Commerce / Selling it (experiments with capitalism, fashion collectives, sexwork, alternative book, art, and product distribution, queer & LGBT marketing demographics, critiques, small businesses, barter, trade, resource-based economy vs. commodity-based economy)

Community / Join in (political organizing, queer community organizing, ad hoc political action committees, queer pride, gay shame, organizing your first demonstration, social & political groups, leather clubs, s/m networks, bike clubs)

Nomadics / Roaming (the culture of the road, the runway, the superhighway, jetsetting, transnationalism, queer diasporas, queer immigrant and exile cultures)

Communications / Connecting (zines, homo-hop and homo-core music, queer speed-dating, independent publishing, social networking, blogging, listserves, social media, flashmobs, promotional strategies, writing your first press release, street art, posters, stickers, queer graffiti)

Learning / Get Schooled (community art and culture projects, health activism, continuing education, grant writing and fundraising, guides for queer survival, mentorship, “training” in leather circles, drag “mothers”, informal or marginal methods of transmitting culture, service, apprenticeships)

Style / Working it (working the runway, drag king & queen culture, ball culture, leather, gear, street styles, rural styles, international styles, fashion and make-up tips and tricks, makeover demonstrations, finding the right photographer for your head-shot)

We welcome artwork, ephemera, documentation, publications, zines, music, videos, installations, DIY kits, guides, instruction manuals, maps, charts, top-ten tips, alternative cosmologies, proposals for live demonstrations, workshops and interactive QIY workstations.

Propose a history of Zine culture, show work of collective art projects, show artifacts of ad hoc political action committees, give live demonstrations of quilting and queer homemaking, offer a do-it-yourself stencil-making so that you too can be a street artist, and much more…

If you are a San Francisco based artists’ space, gallery or collective and would like to propose a satellite show, we’d like to hear from you!

Qcc’s 2011 curatorial committee members include: Terry Berlier, Cheryl Dunye, Josh Faught, Rudy Lemcke, Matt McKinley, Pam Peniston, Jordy Jones, and Tina Takemoto.

Grab your seeds and shovels, duct tape and twine, glitter and hot glue guns! It’s time to Queer It Yourself!

National Queer Arts Festival 2011

Visual Arts Exhibition

SOMArts Gallery, San Francisco. June 2011

Deadline: February 22, 2011

To submit a proposal: QIF Call For Proposals

Home Sites: Sights seen in the Studio and the Kitchen

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Installations of objects, books and ephemera in a home office/studio. Phresh phallic cheese bread tastes as good as it looks…hot from the oven. Goes great with phallic zucchini. Slather with butter and enjoy!