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- Sights seen at International Mr. Leather in Chicago
- Rats! For real. Sight seen at IML.
- Noh Gaze Aloud…don’t be Meme!
- Gay Highwaymen correspondent AidanAbroad sends pics from China…
- Married at last! Gay pair make it official on 30th anniversary…
- Island hopping…
- Mussel Otter wants to…
- I know you like poke…
- Water bags for water boys?
- Inky gods’ stray musings from the Prophat of the Church of More Men…
- Maštíŋčala Sáŋ
- Spiny Lumpsucker
- Gay Activism and Iran: Do Western Activists Do More Harm Than Good? (Link to article by Scott Long)
- Emigrant: The Other White Meat?
- Obama Loves Queers! (Except Not)
- Hot (the bad kind) in the Mission
- HuffPost Gay Voices: Liberian Anti-Gay Group Issues Hit List, Governments Do Nothing
- Exotic, Fresh, and Fruity: Seen at the Asian Market
- Deadly Beauties
- More boy love/lust graffiti in SF
- “I WHAT Cock?” – Construction Sign Self-Expression
Tag Archives: History
From the exhibit Life and Death in Black and White. Photographers Jane Philomen Cleland, Patrick Clifton, Marc Geller, Rick Gerharter and Daniel Nicoletta picture AIDS activists and actions from the key years between 1985 – 1990. More on this exhibit here. See this small show concurrently with the long-running sampler of the museum’s collection: Our Vast Queer Past. above: April 7th, 1989, UN Plaza, San Francisco. Unidentified member of ACT UP/SF in chains protesting INS exclusion of tourists and potential immigrants with HIV/AIDS. Photo: Marc Geller.
It looks like this flyboy is wearing a dog collar and leash! He’s not. At least not in this image. From a WWII era Collier’s Magazine advertisement selling the latest in sound technology: the throat microphone. Can’t make yourself heard over the engine noise and machine gun fire? No more! The Western Electric throat microphone helps win battles!
Hot Hard Gay Erotica! SF’s Center for Sex and Culture presents: “From the Collection of Larry Townsend”
Larry Townsend was a pivotal figure in the development of leather culture as we know it. What many do not know is that he was also a collector of art. The Center for Sex and Culture is extremely proud to present a selection of work from his collection. We will be showing illustrations by Macbeth, Olaf, Sean, Orsen, Russ, Dennis, Zane, DP, and others. This work spans a wide range of what we now thing of as the classical period of gay SM illustration work; the period in which almost no artists used their real full names when doing this sort of work. There are cops and cowboys and romans and leathermen playing in almost every way imaginable. The clear theme that runs through Townsend’s collection is that of unrestrained perverted joy. We will also be showing a selection of Townsend’s personal ephemera including toys, leathers, and original manuscripts. Please come join us to share this exceptional collection of materials. (via curatorial statement)
Center for Sex and Culture, 1349 Mission Street (at Grace Street between 9th and 10th streets) in San Francisco.
Opening: Friday February 3, 6:30 PM
Exhibit dates: February 3 – March 30, 2012
Viewings by appointment and at other CSC Events
In an open letter to University of California Davis Chancellor Linda P.B. Katehi, Assistant Professor Nathan Brown challenged her to take responsibility for the tear-gassing of peaceful, seated protestors.
Brown wrote: “You are responsible for it because this is what happens when UC Chancellors order police onto our campuses to disperse peaceful protesters through the use of force: students get hurt. Faculty get hurt.”
Among the injured were Professor Robert Hass, former Poet Laureate of the United States. For the full text of Dr. Brown’s letter, click here. For a slideshow of the Cal Occupation, here. And for another take on the police pepper-spraying students at Davis, here. Note the sea of camera-phones. The revolution will not be televised, but it may well be webcast.
The people want a civilian government. The military? Not so much. Meet the new boss. Same as the old boss? From the campuses of the University of California to the streets of Cairo, 2011 has been a year of teargas and blood. And the beat goes on. More photos from Tahrir Square here.
Google anything today, and you will see a Google Doodle honoring the 224th birthday of French photographic innovator Louis Jacques Mandé Daguerre. Google Daguerre, and you will find the Guardian UK and others describing the Frenchman as a physicist. That’s really stretching it! Daguerre was a showman, a French P.T. Barnum, a famous theatrical illusionist and the operator of the renowned Paris Diorama, the multi-media extravaganza entertainment of its day. Far from being a respected man of science, Daguerre the showman could not even get a serious audience with the French Academy of Sciences. Nor did he invent the process which bears his name. Nicéphore Niépce, who died before the process was made public, did that. And Britain’s William Fox Talbot had been successfully experimenting with an alternative process for years. Talbot was an amateur, a gentleman scientist with little need of personal recognition, and no financial need. But Daguerre was a hustler, a businessman, and hungry for profit and recognition. He joined with the respected man of science, François Arago, who was able to present the improvements Daguerre had made to the Niépce process to the Academy. The French government provided Daguerre with a nice pension, and announced the invention of the Daguerreotype: a technological gift to the world from France, and a cultural coup in their on-going post-Napoleonic cold war with the British. Daguerre became known as the father of photography, and nothing has ever been the same since.